The Artist

About the Artist Raylene Abbott
I began painting Buddhas and Bodhisattvas after a four year meditation retreat in 1996-2000. I had devoted five hours a day doing mantra practice, yoga and silent meditation. It was out of my meditation that my desire to paint the Bodhisattvas began. My first projects where very traditional. My medium was painting on plaster with acrylic paints and with a crackle and antique finish. But after two years of painting, I became increasingly disappointed with my art because it lack spontaneity and freedom. I started a new project of painting the 33 aspects of Guanyin that was described in a Chinese Buddhist text from the 6th century. For this I created a hand-made book much like the folding books that are found in China or Japan. I painted the different aspects of Guanyin on rice paper with sumi ink and water color and mounted the paintings on the pages of the book. This project took me a few years to complete. It was only until the end of the project that the Bodhisattvas that I dreamed of painting began to self-arise. In 2008-9, I was living in the South of France in a small town on the French and Italian border with a birds eye view of the sea. I was in a place in my life that everything was breaking down. A friend reminded me, “There is no breakthrough without breakage.”
On a warm summer day I was painting outside on the porch with water colors. I began to just allowed my brush to freely fly across the paper. And there she was, my first painting of Yiyao Gwanyin “Medicine Kuanyin.” I was so shocked and also happy. I could not believe I had painted her. It was exactly what I was looking for in all the years of my painting. She was a combination of both form and formlessness. Her lines were free-flowing and her colors were as blue as the Mediterranean Sea. I started exploding with this new way of painting.
This new perspective gave my art a different quality. I began from the inner silence rather then what my mind wanted to paint.
It is from this no mind space the “Forgotten Female Bodisattvas” began to self-arise. I paint without having any fix idea of what I am doing. I just paint. It is after the major brush strokes are made the form emerges. I stand back and let the form arise from the brush strokes I have made on the paper. I am always surprise when one of these Bodhisattvas appear. I sit with the painting for a few days and I become inspired with a simple teaching that goes with the image. Then the Bodhisattva teaching is set to dance movement to convey her dharma lesson. This creative process unfolds through me like a lotus flower rising from deep silence. I find by dancing the Bodhisattva’s dharma teaching my body begins to remember and also integrate the teaching into my life. This process gives me so much joy!
Raylene Abbott is a local artist. Her paintings reflects her love for meditation and spiritual quest to find truth through simplicity. She is also an international author. Her books have been published in five different counties She writes about Woman Wisdom and the Sacredness of the Earth.




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